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Leofoto LPS-ZV-E10II Camera Plate for Sony ZV-E10 II, black

SKU: 15643

GTIN: 6940828315402

HAN: 15643

Category: L-Plates

In Stock
Delivery Time approx.: 4 business days (DE - int. shipments may differ)

€ 49,90

incl. 19% VAT (All Non-EU Countries tax-free or with a valid EU Vat. No.) , plus

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Precisely fitted for Sony ZV-E10 II: The camera plate was specifically designed for the Sony ZV-E10 II and provides a secure, stable and precise fit.
Arca-Swiss compatible: The camera plate is compatible with common Arca-Swiss quick-release systems and enables fast attachment to compatible tripod heads.
Ergonomic camera grip: The integrated grip improves ergonomics and provides a more comfortable and secure hold of the Sony ZV-E10 II.
Anti-twist flanges: Specially designed flanges prevent unwanted rotation of the camera and ensure a secure connection.
Unrestricted access to controls: The precisely fitted design allows important controls and connections of the Sony ZV-E10 II to remain accessible.
High-quality 6061-T6 aluminium alloy: Corrosion-resistant material with high strength and good toughness for a robust and durable camera plate.
Precision CNC manufacturing: The components are manufactured from solid material using modern CNC machines and precisely adapted to the Sony ZV-E10 II.
Black finish: The camera plate features a high-quality black finish that harmoniously complements the camera's design.

Leofoto LPS-ZV-E10II Camera Plate for Sony ZV-E10 II – Black

Precisely fitted for Sony ZV-E10 II: The camera plate was specifically designed for the Sony ZV-E10 II and provides a secure, stable and precise fit.
Arca-Swiss compatible: The camera plate is compatible with common Arca-Swiss quick-release systems and enables fast attachment to compatible tripod heads.
Ergonomic camera grip: The integrated grip improves ergonomics and provides a more comfortable and secure hold of the Sony ZV-E10 II.
Anti-twist flanges: Specially designed flanges prevent unwanted rotation of the camera and ensure a secure connection.
Unrestricted access to controls: The precisely fitted design allows important controls and connections of the Sony ZV-E10 II to remain accessible.
High-quality 6061-T6 aluminium alloy: Corrosion-resistant material with high strength and good toughness for a robust and durable camera plate.
Precision CNC manufacturing: The components are manufactured from solid material using modern CNC machines and precisely adapted to the Sony ZV-E10 II.
Black finish: The camera plate features a high-quality black finish that harmoniously complements the camera's design.

Leofoto LPS-ZV-E10II Camera Plate for Sony ZV-E10 II

Precisely fitted Arca-Swiss camera plate for the Sony ZV-E10 II

The Leofoto LPS-ZV-E10II camera plate was specifically developed for the Sony ZV-E10 II and provides a secure and precise connection between the camera and tripod system. The camera-specific design ensures a precise fit and supports stable mounting on an Arca-Swiss-compatible tripod head.

The integrated grip also provides improved ergonomic handling of the camera. This allows the Sony ZV-E10 II to sit more comfortably and securely in the hand – ideal for handheld shooting as well as use on a tripod.

Arca-Swiss compatible and securely attached

The Arca-Swiss-compatible camera plate can be quickly and easily inserted into compatible quick-release systems. This allows the Sony ZV-E10 II to be used flexibly in different shooting situations and with various tripod solutions.

Specially designed anti-twist flanges provide additional grip and prevent unwanted rotation of the camera on the plate. At the same time, the precise design ensures that important controls and connections of the Sony ZV-E10 II remain as easily accessible as possible.

Ergonomic grip for improved handling

A key advantage of the Leofoto LPS-ZV-E10II is the integrated grip. It improves the ergonomics of the camera and provides a more comfortable and secure hold. Especially during longer shooting sessions or when using the camera without a tripod, the additional grip surface can make handling more comfortable.

The combination of a precisely fitted camera plate and ergonomic grip makes the Leofoto LPS-ZV-E10II a practical accessory for the Sony ZV-E10 II.

Precisely fitted design for the Sony ZV-E10 II

Leofoto develops its camera-specific grips and camera plates to match the respective camera models. The LPS-ZV-E10II is specifically adapted to the dimensions and body shape of the Sony ZV-E10 II.

The design ensures a secure fit while maintaining convenient access to important camera controls. This keeps the camera flexible and comfortable to operate in everyday use.

High-quality 6061-T6 aluminium alloy

For the metal components, Leofoto uses a high-quality 6061-T6 aluminium alloy containing magnesium and silicon as alloying elements. The corrosion-resistant material is characterised by high strength and good toughness, making it ideal for a robust and durable camera grip.

The yield strength of the aluminium alloy used is comparable to that of structural steel. This allows the Leofoto LPS-ZV-E10II to combine high stability with comparatively low weight.

Precision CNC-machined from solid material

The components of the Leofoto LPS-ZV-E10II are CNC-machined from solid material using modern CNC machines. This precise manufacturing process enables a high-quality, precisely fitted design and ensures excellent stability.

Compared with conventional cast components, CNC machining allows for particularly precise manufacturing. The combination of high-quality 6061-T6 aluminium alloy, precision manufacturing and camera-specific design makes the LPS-ZV-E10II a reliable solution for demanding photographers.

Black camera plate matching the Sony ZV-E10 II

The Leofoto LPS-ZV-E10II is available in a black finish that harmoniously complements the design of the Sony ZV-E10 II. The high-quality finish combines an appealing appearance with a functional and robust construction.

Professional camera plate for the Sony ZV-E10 II

The Leofoto LPS-ZV-E10II is a high-quality, precisely fitted Arca-Swiss camera plate with ergonomic grip for the Sony ZV-E10 II. It combines a secure camera hold with improved ergonomics and fast attachment to compatible Arca-Swiss quick-release systems.

The anti-twist flanges, precisely fitted design and precision CNC manufacturing from 6061-T6 aluminium make this camera plate a practical accessory for the Sony ZV-E10 II – both for tripod photography and handheld shooting.

Note: The application images show optional accessories or the product used in combination with other items. Pictured accessories are not included in the scope of delivery unless expressly stated otherwise.

Technical Specifications

Performance
Camera mounting thread (inch)	1/4"
Suitable for	Sony ZV-E10 II
Material	Aluminium
Clamping	Arca-Swiss
Applications	Photography
General
Series	Camera Grip
Length	11.6 cm
Width	3.8–5.5 cm
Height	1.1 cm
Colour	Black

In the Box

1x Leofoto LPS-ZV-E10II Camera Plate for Sony ZV-E10 II, black

Tripod Components

Cameras and tripods have a long-standing partnership, maintaining relevance and unmatched functionality in a world dominated by image stabilization and Photoshop tricks. Although the form and function of a tripod are much simpler to understand than today’s DSLRs, with their extensive features, selecting the right setup from a variety of manufacturers and seemingly comparable models can be a daunting task. This article outlines the basic types of tripod kits every photographer should consider, and discusses the various categories of tripod heads and legs for those looking to build a custom setup.

Tabletop Tripods

For some, the simplest and smallest solution is often the best, and for this audience, a tabletop tripod offers a particularly compact solution for the everyday photographer. These tripods come in a range of types and sizes and are usually sold as kits with a pre-mounted head and legs. They are typically inseparable and reach a maximum height of no more than 30cm. These tripods are ideal for travelers, hikers, or those photographing in areas where carrying full-sized camera equipment might be restricted. Those needing a table support may also consider a flexible variant, such as the Joby Gorillapod line. These compact and lightweight supports can be used on a traditional flat surface or wrapped around various objects (such as branches, pipes, and handlebars) to stabilize your camera on uneven terrain or create a unique new photographic perspective.

The Tripod System

For the passionate, ambitious, and professional photographer, investing in a modular tripod system—or, for the layperson, a tripod with a removable head and a set of durable, versatile legs—is the preferred choice. Whether purchased together as part of an extended set or separately, investing in a system ensures the user obtains customizable, high-quality equipment that can be adapted to specific photography needs either now or in the future. Below, we outline some of the different options for purchasing a pre-made tripod kit or assembling your own tripod kit using components selected to meet your individual requirements.

The 3-Way Pan-Tilt Head

When most people think about tripod functionality, they envision the movement and brand-licensed style of the classic three-way head. This design remains popular with beginners for its ease of use and relatively precise movement. The head consists of three separate arms controlling vertical tilt, horizontal tilt, and 360-degree panning. To adjust the position of each angle, simply turn the handle for the desired angle, position the camera, and then tighten the handle again to lock the camera in place—it's that simple. Three-way heads are commonly used for landscape, portrait, still-life, macro, or product photography, but they can be used for almost any photographic application.

The Ball Head

The ball head is currently the most modern and generally preferred head style, partly due to its compact size (compared to three-way heads), lightweight build, and ease of adjustment. Unlike the three-way head, ball heads save size and weight by allowing you to use the camera itself as the "handle," positioning the camera in any direction with just one rather than three knobs. Ball heads typically feature dual or triple control, allowing photographers to control the ball’s movement and friction with separate knobs. Tri-control designs often implement a third knob that controls the 360-degree panning separately from the main ball lock. Due to its size and speed, this head style is popular among sports, action, nature, travel, and studio photographers. Like the three-way head, it can also be used for almost any photographic application.

The Gimbal Head

Gimbal heads are practically essential in the world of advanced sports and wildlife photography, as they support the large telephoto lenses that are an undeniable hallmark of the craft. The gimbal head is designed to support and balance large lenses and camera bodies, allowing the user to follow a moving subject vertically and horizontally, and, if properly balanced, retain its last position even when the photographer’s hand leaves the camera. They are generally the largest and heaviest head style, but for photographers who need them, their utility is unrivaled. It is also worth noting that most gimbal heads are not sold with a mounting plate; one must be selected specifically for the lens in use. When investing in a gimbal system, you should always purchase a suitable lens mounting plate that provides enough length to adequately balance your equipment.

The Fluid Head

Since almost every camera now includes advanced video functions, many photographers have begun incorporating video components into their tripod kits, with the fluid head being the most significant of these additions. The fluid head is designed to reduce resistance when recording video, allowing for smooth pans and tilts along two axes, and the integrated "fluid" cartridge reduces unwanted shakes, vibrations, and jitters. While each tripod head has a maximum load capacity, the stated maximum of a fluid head should be seen as a guideline that should never be exceeded. Balanced weight is essential for good fluid head performance, and resistance to an unbalanced load can impair the video-smoothing properties of the head, especially in the hands of beginner videographers.

Material Choice

Tripod legs—whether for beginners or professionals—are a relatively straightforward matter, limited to three simple factors: weight, load capacity, and price. The often heavier, cheaper, and somewhat more durable material for tripod legs is an oldie but goodie: aluminum. Although its weight may not be ideal for travel, aluminum tripods benefit from this weight with increased stability and the ability to withstand daily use and minor impacts. However, aluminum legs are subject to the environment in which they are used, which simply means they heat up in the sun, cool down in the cold, and can rust if not properly cleaned after exposure to freshwater and saltwater. The second, newer, and more expensive material option is carbon fiber, which has become a darling in the world of outdoor and landscape photography due to its lighter weight and excellent rigidity. Although the price difference between aluminum and carbon fiber has decreased significantly in recent years, it is still substantial for higher-quality tripod brands.

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Manufacturer according to GPSR
Leofoto, Weiye Rd, Pingdong, Industrial Zone 6, 36551 Sanxiang Town, Zhongshan City, Guangdong, China, sales@leofoto.cn, https://www.leofoto.com
Responsible person according to GPSR
ProductIP AR Services, Galvanstraat 1, 6716 AE Ede, Niederlande, info@productip.com, https://www.productip.com/